Fitting Room Outfit Change AI: A New Look Behind Every Curtain

Recreate the reference video [Video 1] shot for shot: the same slow sideways tracking camera gliding left to right along a row of fitting rooms with cream walls, tall burgundy velvet curtains and a pale stone floor, the same speed, framing, light, timing and moves, one continuous take with no cut. First only closed curtains; then in each fitting room a hand pulls the curtain aside and the figure stands there in a new look, while the earlier fitting rooms slide out of the frame on the left. The ONLY change is the face and the hair of the young woman with long straight black hair in every fitting room: they are now the face and the hair of the person in [Image 1]. The person = the person in [Image 1], in EVERY shot and in EVERY look: copy the exact face from [Image 1] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles), so their friends recognize them at once. [Image 1] is only a head-and-shoulders portrait: take ONLY the face, the hair and the skin tone from it, never its plain black t-shirt and never its grey background. The same real person in every look, from the first frame to the last, also right after each curtain pull and when the face is small or turned away. Never morph, never drift back to the original woman's face or hair. Every outfit stays exactly as in [Video 1]: the same clothes, shoes, bags and accessories, the same fit, in the same order, and each outfit change at the same moment as in [Video 1]. NO black t-shirt from [Image 1] in any look. NO long straight black hair unless [Image 1] shows it: the hair from [Image 1] in every look, also at the left edge of the frame. Sunglasses only in the looks where [Video 1] shows them. The looks, at the times of [Video 1], one per fitting room: only closed curtains from 0 to about 2.5 s; look 1 from about 2.5 s: a dark brown leather jacket over a short yellow satin slip dress, tall brown western boots, a brown suede bag and big dark sunglasses; look 2 from about 5.5 s: a navy sweater over a pale blue checked shirt, a navy mini skirt and grey socks, no sunglasses; look 3 from about 8 s: a cropped denim jacket over a denim top, wide jeans, a dark red bag and sunglasses; look 4 from about 11 s: a green and grey striped knit with a matching scarf, a brown mini skirt, slingback heels, a checked bag and sunglasses; look 5 from about 13.7 s until the end: a black oversized blazer, a sheer black lace skirt, black sandals, a small black bag and sunglasses. The curtains move only when the hand pulls them. No glow, no particles, no dissolve, no flash, no cut, no new fitting room. Never mix pieces of two looks. Anatomy rules: every figure is the same person from [Image 1]; at most two show at once, each in its own fitting room and look. One head on the shoulders, two arms, two legs, five fingers on each hand. A face never appears on hands, clothes, curtains or the floor. No text, no captions, no logos, no watermark.

Recreate the reference video [Video 1] shot for shot: the same slow sideways tracking camera gliding left to right along a row of fitting rooms with cream walls, tall burgundy velvet curtains and a pale stone floor, the same speed, framing, light, timing and moves, one continuous take with no cut. First only closed curtains; then in each fitting room a hand pulls the curtain aside and the figure stands there in a new look, while the earlier fitting rooms slide out of the frame on the left. The ONLY change: the young woman who stands in every fitting room is now the pet in [Image 1], the WHOLE body, not just the head. In each fitting room the pet pushes the curtain aside with a front paw and stands upright on its hind legs in a pet-sized version of that fitting room's look, with the same pose and the same timing as the woman in [Video 1]. The pet = the animal in [Image 1], in EVERY fitting room: the same species and breed, face, eyes, ears, muzzle, fur colors, fur length and markings as in [Image 1], with the natural body volume and proportions of that animal: never flattened, squashed, stretched or merged with anything. Never a person: no human face, no human skin, no human hands or legs, no long black hair. The same pet in every fitting room, also in the earlier fitting rooms at the left edge of the frame. The looks, at the times of [Video 1], pet-sized, one per fitting room: only closed curtains from 0 to about 2.5 s; look 1 from about 2.5 s: a dark brown leather jacket over a short yellow satin slip dress, tall brown western boots, a brown suede bag and big dark sunglasses; look 2 from about 5.5 s: a navy sweater over a pale blue checked shirt, a navy mini skirt and grey socks, no sunglasses; look 3 from about 8 s: a cropped denim jacket over a denim top, wide jeans, a dark red bag and sunglasses; look 4 from about 11 s: a green and grey striped knit with a matching scarf, a brown mini skirt, slingback heels, a checked bag and sunglasses; look 5 from about 13.7 s until the end: a black oversized blazer, a sheer black lace skirt, black sandals, a small black bag and sunglasses. The curtains move only when the hand pulls them. No glow, no particles, no dissolve, no flash, no cut, no new fitting room. Never mix pieces of two looks. Anatomy rules: every figure is the same one pet from [Image 1], one per fitting room; at most two show at once, each in its own fitting room and its own look. Each has one head, four legs with its own paws and its own tail. No people at all. No text, no captions, no logos, no watermark.