Written for this model at 1K unless noted. The ones that say "using the attached" belong on the edit path.
1. A creator portrait
"A 24-year-old woman with freckles and shoulder-length curly auburn hair in a cream ribbed sweater against a sunlit apartment wall, soft window light from the left, eye level on a 50mm lens, shallow focus, calm half smile, 9:16."
Why: age, hair, garment and lens give you a person you can reproduce later.
2. The same person, a second scene
"Using the attached portrait as the reference for the face, hair and sweater: the same woman at an outdoor cafe table with a coffee cup, late afternoon side light, other tables blurred behind, same expression, 9:16."
Why: naming the attributes to carry over keeps a persona consistent.
3. Product in hand, from two references
"Using reference 1 for the product and reference 2 for the person: she holds the tube at chest height facing camera, label toward the lens and readable, warm kitchen light, blurred background, natural skin texture, 9:16."
Why: numbering the references tells the model which one is the product.
4. Outfit swap on a photo you own
"Using the attached photo: replace the jacket with an oversized olive canvas chore coat with visible stitching and two chest pockets, keep the face, hair, pose and background exactly as they are, same lighting direction, 9:16."
Why: the preserve clause is what separates an edit from a new image.
5. Relight a shot you already have
"Using the attached product photo: keep the bottle, label and proportions identical, replace the lighting with hard low afternoon sun from the right, a long shadow to the left across a concrete ledge, cool shadow tones, 9:16."
Why: relighting a photo you own beats describing the product again.
6. Composite a product into a room
"Using reference 1 for the product and reference 2 for the room: place the diffuser on the wooden shelf at the left third, match the room's soft morning light and its shadow direction, add a faint contact shadow under the base, 4:5."
Why: matching the shadow direction makes a composite read as one photograph.
7. Two people, candid
"Two friends in their late twenties on an apartment balcony at golden hour, one leaning on the railing holding a can, the other laughing mid-sentence, warm backlight with a soft flare from the right, framed left of center, 9:16."
Why: a separate action each prevents two identical figures standing still.
8. Texture at 4K
"A ceramic pour-over dripper on a raw concrete plinth in an empty gallery, one hard overhead skylight beam, deep falloff into shadow, fine dust visible in the light, centered with large negative space above, 4:3, at 4K."
Why: 4K costs 4 credits, so spend it where texture is the subject.