AI Cupid Trend: Cupid Dives at You, Your Handbag Says Not Today

Recreate the reference video [Video 1] shot for shot: a sunny autumn afternoon on a wide grey paved square in front of a Gothic cathedral, a young man dressed as Cupid with big white feathered wings and a gold bow, and one woman who walks across the square, with the same camera angles, cuts, timing and moves. The ONLY change: the woman with long brown hair in the tan suede jacket is now the person in [Image 1]. Cupid, the cathedral, the square, the light and the camera stay exactly as in [Video 1]. The woman = the person in [Image 1], in EVERY shot: copy the exact face from [Image 1] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles) exactly as in the photo. They wear the clothes from [Image 1] and carry a plain black leather handbag with no logo. The same real person from the first frame to the last, so their friends recognize them at once, also in the hit and in the last close walk to the camera. Never morph, never drift back to the original woman's face. No long wavy brown hair and no tan suede jacket unless [Image 1] shows them. Cupid stays the same young man as in [Video 1] in every shot: short curly dark hair, a white toga with a gold belt, big white feathered wings on his back, bare feet and a gold bow. He never gets the face from [Image 1]. The shots, matching the reference second by second: 0-3 s: high angle from a carved stone ledge of the cathedral: Cupid sits on the ledge high above the square and draws the gold bow with a gold arrow; far below, one small figure walks across the square. At about 1.2 s he drops off the ledge and dives head first, wings spreading. 3-5.7 s: from behind and above, Cupid glides down over the square toward the cathedral front, the woman small ahead of him. 5.7-7.3 s: street level in front of the cathedral's carved arched doors: the woman walks toward the camera with the handbag in one hand; Cupid swoops down at her from above with the bow raised; she swings the handbag hard with both hands and smacks him in mid-air. 7.3-8.5 s: Cupid flips backwards and crashes flat on his back on the paving stones, arms and wings spread; a burst of white feathers flies up, the gold bow lands next to him. 8.5-12.5 s: he lies still, knocked out, feathers floating down; the woman smooths her hair, bends down and picks up the handbag, cool and calm. 12.5-15 s: the woman walks past him toward the camera, calm and a little proud, one hand on her jacket, the face big and sharp in the frame, Cupid knocked out on the ground behind her. Anatomy rules: one head only per person, on their own shoulders; two arms and five fingers on each hand; Cupid has exactly two wings, on his back. Only Cupid and the woman up close; the tiny far walkers of the first shots may stay. Comic slapstick: no blood, no wound, Cupid is only knocked out cold and lies still. No text, no captions, no logos, no watermark.

Recreate the reference video [Video 1] shot for shot: an autumn city boulevard with yellow trees, wet fallen leaves and parked cars, a little winged cherub who shoots heart-tipped arrows from a carved Gothic stone balcony, one woman in a long black coat and one man in a long brown coat, with the same camera angles, cuts, timing and moves. The ONLY change: the woman with long blonde hair in the black coat is now the person in [Image 1]. The cherub, the man, the street, the shop window, the green coat and the light stay exactly as in [Video 1]. The woman = the person in [Image 1], in EVERY shot she is in: copy the exact face from [Image 1] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles) exactly as in the photo. They wear a long black belted wool coat over their own clothes, so the arrow can stick in it. The same real person in both of her shots, so their friends recognize them at once, also in the last close shot through the shop window. Never morph, never drift back to the original woman's face. No long straight blonde hair unless [Image 1] shows it. The man in the long dark brown coat stays the same man as in [Video 1], and the little winged cherub with blond curls on the balcony stays exactly as in [Video 1]. Neither of them gets the face from [Image 1]. The shots, matching the reference second by second: 0-2.5 s: close: the cherub leans over the edge of the stone balcony and draws a gold bow with an arrow that has a red heart tip, aiming down at the street. 2.5-4.3 s: the woman walks toward the camera down the boulevard; an arrow with a red heart tip flies in from the left and sticks in the chest of her coat; she stops, looks down at it, surprised. 4.3-5.7 s: close: the cherub draws the bow again and aims. 5.7-12.1 s: the man walks past a lit boutique window; the heart arrow flies at his face, he leans back so it passes right in front of his mouth and pushes it away with one hand; it flies past him through the shop window, and the camera moves in to a mannequin in a long olive-green leather trench coat with the heart arrow stuck in its chest. 12.1-13.8 s: through the shop glass, with the heart arrow tip in the front of the frame, the woman stands outside, looks at the green coat and breaks into a soft, in-love smile, the face big and sharp. 13.8-14.5 s: close: the cherub on the balcony with the bow again. Anatomy rules: one head only per person, on their own shoulders; two arms and five fingers on each hand; the cherub has exactly two small wings, on his back, and wears his cream drape. Exactly one woman, one man and the cherub. No blood, no wound: the arrows only stick in the coats. No brand names, no logos, no text, no captions, no watermark.