White Chicks Car Scene AI: Sing A Thousand Miles With a Friend

A night drive, four shots cut on the beat: a cream convertible with the top down on a city street at night, warm street-light bokeh behind, a 35mm film look with halation, bloom and grain. Photorealistic live action, vertical 9:16. WHO IS WHO: the DRIVER (behind the wheel, the one who sings) is the person in [Image 1], in every frame: copy the exact face from [Image 1] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles), with the hair and clothes from [Image 1]. The PASSENGER (the other front seat, left of the frame in the wide shot, holding a small fluffy orange Pomeranian, never sings) is the person in [Image 2], in every frame: copy the exact face from [Image 2] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles), with the hair and clothes from [Image 2]. The seats come ONLY from the photo order, never from gender. Never swap them. A hat only if that person's photo shows one. If an image shows an animal, that one is that animal sitting upright, with its own face and fur, not a person. THE PASSENGER'S MOOD: flat, monotone, deadpan annoyance: half-lidded eyes, a level unimpressed stare, lips closed. Never wide-eyed shock, never an open mouth. [0-3.5 s] SHOT 1, WIDE from the hood: the DRIVER sings from the first frame, head bobbing to the beat, turning to the passenger with a huge delighted grin; the PASSENGER sits rigid, clutching the Pomeranian: a flat stare at the driver, then faces forward, frozen, then a dry side-eye. [3.5-5.5 s] SHOT 2, CLOSE-UP of the PASSENGER only, the Pomeranian against the chest: head turned away, a slow, tired blink, then the eyes slide onto the driver: a long, deadpan side-stare. [5.5-10.5 s] SHOT 3, one long CLOSE-UP of the DRIVER only, in profile: turns to the passenger with a huge grin, singing at them, eyebrows up; lifts the chin and belts the high note, eyes half closed; then taps one finger to the temple with a smug grin. [10.5-12 s] SHOT 4, CLOSE-UP of the PASSENGER, the live Pomeranian low in front, its fox-like face visible: head tilted back, looking up at the driver, deeply annoyed, perfectly still. Audio: an upbeat, original piano-pop song on the car radio (a fast rolling piano riff, drums), never a known song. The driver sings along at full voice: "All the way, all the way to you!" on the big note in shot 3, a happy "ooh-ooh" the rest of the time. The passenger never sings or speaks. Only these two people and their Pomeranian. Each keeps their exact face, hair, skin tone and clothes: never blend them, never swap clothes or seats. Clear facial features, stable faces, no distortion. Avoid: an eye-roll, a cartoonish passenger, the passenger singing, a split screen, a plush toy instead of the live dog, extra people, text, subtitles, logos, a badge on the car, watermarks, extra limbs, morphing.

A night drive, four shots cut on the beat: a cream convertible with the top down on a city street at night, warm street-light bokeh behind, a 35mm film look with halation, bloom and grain. Photorealistic live action, vertical 9:16. THE DRIVER is the pet in [Image 1], in every frame: the same species and breed, face, eyes, ears, muzzle, fur colors, fur length and markings as in [Image 1], with the natural body volume and proportions of that animal: never flattened, squashed, stretched or merged with anything. Its owner recognizes it at once. It sits upright behind the steering wheel like a person, front paws on the wheel, and sings with full emotion: it keeps its own animal face, teeth and tongue, only its mouth moves like a singer. No clothes on the pet. THE PASSENGER, in the other front seat (on the left of the frame in the wide shot), is a small fluffy orange Pomeranian sitting upright like a person, with flat, monotone, deadpan annoyance the whole way through: half-lidded eyes, a level unimpressed stare. It never sings. If [Image 1] shows a small fluffy orange dog, the passenger is a fluffy white cat instead. Never blend the two animals. THE SHOTS: [0-3 s] SHOT 1, the WIDE shot from the hood: the pet driver sings from the very first frame, head bobbing to the beat, turning toward the passenger with a huge happy face; the passenger sits rigid, stares at it, then turns to face forward, frozen. [3-5 s] SHOT 2, CLOSE-UP of the PASSENGER only: a slow, tired blink, then the eyes slide sideways onto the driver: a long, deadpan side-stare. [5-8.5 s] SHOT 3, one long CLOSE-UP of the pet DRIVER ONLY: it turns to the passenger, singing straight at it; lifts its chin and belts the high note with the eyes half closed and the mouth wide open; then taps one front paw to the side of its head with a smug look. [8.5-10 s] SHOT 4, CLOSE-UP of the PASSENGER again: head tilted slightly back, looking up at the driver with a flat, deeply annoyed stare, perfectly still. Audio: an upbeat, original piano-pop song on the car radio (a fast rolling piano riff, drums), never a known song. The pet driver sings along with a funny, happy "ooh-ooh-ooh" on the high notes. The passenger never makes a sound. Soft wind and a car engine under the music. Exactly two animals and no people. One head, four legs and one tail each, no human hands, no human body parts on the animals. Avoid: a cartoon look, a plush toy, a split screen, extra animals, text, captions, subtitles, logos, a badge on the car, watermarks, morphing.