90s Movie AI: Star in a 90s Rom-Com

Recreate the reference video [Video 1] shot for shot: a 1990s romantic comedy at night outside a grand hotel entrance with a glowing marquee, wet pavement, shot on 35 mm film, the same shots, camera angles, cuts, timing, moves and mouth moves. Replace the dark-haired woman in the black satin dress in [Video 1] with the person from [Image 1]: same face, build and hairstyle as the reference. Exact same motion and timing as the original. Replace the dark-haired man in the black overcoat and tie in [Video 1] with the person from [Image 2]: same face, build and hairstyle as the reference. Exact same motion and timing as the original. Neither character takes any features from the other's reference. The blond man in the camel coat, background extras, environment, props, camera and edit rhythm completely unchanged. The woman's part = the person in [Image 1], in EVERY shot: copy the exact face from [Image 1]: face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles exactly as in the photo. The man's part = the person in [Image 2], in EVERY shot: copy the exact face from [Image 2], with the same details. Both change: no one from [Video 1] stays in their parts, also in the wide shots. Each face stays the same from the first frame to the last, so their friends recognize them at once. Never morph, never drift back to the original faces. NO long dark hair unless [Image 1] shows it; NO short dark hair unless [Image 2] shows it. The outfits stay those of [Video 1], never the clothes from the photos: the person from [Image 1] wears the black satin dress under a long black coat, the person from [Image 2] the long black overcoat over a white shirt and a dark tie. Shot 1 [0-1.95s]: a two-shot on the sidewalk; the man: "Can I get your number?" Shot 2 [1.95-2.8s]: the same two-shot, closer; the woman: "I'm married." Shot 3 [2.8-3.5s]: hard cut, a close-up of the woman's hand reaching into her coat pocket. Shot 4 [3.5-4.35s]: hard cut, a close-up of the man: "I don't see a ring." Shot 5 [4.35-6.65s]: hard cut, a close-up of the woman: "You don't see a lot of things." Then: "Nine one seven..." Shot 6 [6.65-8.3s]: hard cut, a close-up of the man, smiling: "So I have a chance?" Shot 7 [8.3-9.2s]: hard cut, a close-up of the woman: "Call it." Shot 8 [9.2-10.15s]: hard cut, over the man's shoulder, a brick phone at his ear: across the sidewalk the blond man in the camel coat answers his own phone: "Hello?" Shot 9 [10.15-14.5s]: hard cut, a wide shot: the man stands stunned with the phone at his ear while the woman walks away with the blond man. The voice on the phone: "You wanted a number. I gave you one." The mouths move only on their own lines, in sync with [Video 1]. No other dialogue. No background music. One head per person, on their own shoulders. People far in the background keep their own faces. Real 1990s film footage, soft grain. No text, no captions, no subtitles, no logos, no watermark, no badge in any corner, no readable signs or plates.

Recreate the reference video [Video 1] shot for shot: a 1990s romantic film on a rainy city street, shot on 35 mm film, the same shots, camera angles, cuts, timing, moves and mouth moves. Replace the blonde woman in [Video 1] with the person from [Image 1]: same face, build and hairstyle as the reference. Exact same motion and timing as the original. Replace the black-haired man in [Video 1] with the person from [Image 2]: same face, build and hairstyle as the reference. Exact same motion and timing as the original. Neither character takes any features from the other's reference. Background extras, environment, props, camera and edit rhythm completely unchanged. The woman's part = the person in [Image 1], in EVERY shot: copy the exact face from [Image 1]: face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles exactly as in the photo. The man's part = the person in [Image 2], in EVERY shot: copy the exact face from [Image 2], with the same details. Both change: no one from [Video 1] stays, also in the over-the-shoulder shots and the wide shots. Each face stays the same from the first frame to the last, so their friends recognize them at once. Never morph, never drift back to the original faces. NO long blonde hair unless [Image 1] shows it; NO slicked black hair unless [Image 2] shows it. The outfits stay those of [Video 1], never the clothes from the photos: the person from [Image 1] wears the long white coat, the person from [Image 2] the long black overcoat over a white open-collar shirt. Shot 1 [0-1.25s]: inside a yellow cab, the woman in the back seat points ahead: "Stop here, please." Shot 2 [1.25-3.1s]: the woman steps out of the cab onto the wet sidewalk of a city street in the rain. Shot 3 [3.1-3.6s]: hard cut, a close-up of the woman, eyes shut, as dirty water splashes onto her. Shot 4 [3.6-4.25s]: hard cut, a brown mud stain on the long white coat. Shot 5 [4.25-5.35s]: hard cut, a close-up of the woman, mouth open in shock: "Perfect." Shot 6 [5.35-6.75s]: hard cut, a black car at the curb, the man gets out and walks to her. Shot 7 [6.75-7.9s]: hard cut, over the man's shoulder onto the woman; the man: "I'm so sorry." Shot 8 [7.9-8.85s]: hard cut, a close-up of the woman: "You should be." Shot 9 [8.85-10.4s]: hard cut, a close-up of the man: "Let me replace it." Shot 10 [10.4-12.2s]: hard cut, a close-up of the woman: "I don't want your money." Shot 11 [12.2-13.85s]: hard cut, the two walk side by side into a warm, lit boutique. Shot 12 [13.85-14.9s]: in the boutique window the woman tries on a new long white coat. The mouths move only on their own lines, in sync with [Video 1]. No other dialogue. No background music. One head per person, on their own shoulders. People far in the background keep their own faces. Real 1990s film footage, soft grain. No text, no captions, no subtitles, no logos, no watermark, no badge in any corner, no readable signs or plates.

Recreate the reference video [Video 1] shot for shot: a 1990s romantic film on a rainy city street, shot on 35 mm film, the same shots, camera angles, cuts, timing, moves and mouth moves. Replace the blonde woman in [Video 1] with the person from [Image 1]: same face, build and hairstyle as the reference. Exact same motion and timing as the original. The black-haired man stays exactly as in [Video 1]: his own face, hair, clothes and moves. Neither character takes any features from the other. Background extras, environment, props, camera and edit rhythm completely unchanged. The woman's part = the person in [Image 1], in EVERY shot: copy the exact face from [Image 1]: face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles exactly as in the photo. The face stays the same from the first frame to the last, so their friends recognize them at once, also in the close-ups and when seen over the man's shoulder. Never morph, never drift back to the original woman's face. NO long blonde hair unless [Image 1] shows it. The outfit stays the long white coat of [Video 1], never the clothes from the photo. Shot 1 [0-1.25s]: inside a yellow cab, the woman in the back seat points ahead: "Stop here, please." Shot 2 [1.25-3.1s]: the woman steps out of the cab onto the wet sidewalk of a city street in the rain. Shot 3 [3.1-3.6s]: hard cut, a close-up of the woman, eyes shut, as dirty water splashes onto her. Shot 4 [3.6-4.25s]: hard cut, a brown mud stain on the long white coat. Shot 5 [4.25-5.35s]: hard cut, a close-up of the woman, mouth open in shock: "Perfect." Shot 6 [5.35-6.75s]: hard cut, a black car at the curb, the man gets out and walks to her. Shot 7 [6.75-7.9s]: hard cut, over the man's shoulder onto the woman; the man: "I'm so sorry." Shot 8 [7.9-8.85s]: hard cut, a close-up of the woman: "You should be." Shot 9 [8.85-10.4s]: hard cut, a close-up of the man: "Let me replace it." Shot 10 [10.4-12.2s]: hard cut, a close-up of the woman: "I don't want your money." Shot 11 [12.2-13.85s]: hard cut, the two walk side by side into a warm, lit boutique. Shot 12 [13.85-14.9s]: in the boutique window the woman tries on a new long white coat. The mouths move only on their own lines, in sync with [Video 1]. No other dialogue. No background music. One head per person, on their own shoulders. People far in the background keep their own faces. Real 1990s film footage, soft grain. No text, no captions, no subtitles, no logos, no watermark, no badge in any corner, no readable signs or plates.

Recreate the reference video [Video 1] shot for shot: a 1990s romantic film on a rainy city street, shot on 35 mm film, the same shots, camera angles, cuts, timing and moves. The ONLY change: the blonde woman is now the pet in [Image 1], in every shot where she appears. The pet = the pet in [Image 1], in EVERY shot: the same species and breed, face, eyes, ears, muzzle, fur colors, fur length and markings as in [Image 1], with the natural body volume and proportions of that animal: never flattened, squashed, stretched or merged with anything. Never a person, never a human face. The pet wears a small long white coat, like the woman's in [Video 1]. The black-haired man stays exactly as in [Video 1]: his own face, hair, clothes and moves; he talks to the pet. Shot 1 [0-1.25s]: inside a yellow cab, the pet sits up in the back seat and lifts a paw ahead: "Stop here, please." Shot 2 [1.25-3.1s]: the pet hops out of the cab onto the wet sidewalk of a city street in the rain. Shot 3 [3.1-3.6s]: hard cut, a close-up of the pet, eyes shut, as dirty water splashes onto it. Shot 4 [3.6-4.25s]: hard cut, a brown mud stain on the pet's small white coat. Shot 5 [4.25-5.35s]: hard cut, a close-up of the pet, shocked, wet fur: "Perfect." Shot 6 [5.35-6.75s]: hard cut, a black car at the curb, the man gets out and walks to the pet. Shot 7 [6.75-7.9s]: hard cut, over the man's shoulder onto the pet; the man: "I'm so sorry." Shot 8 [7.9-8.85s]: hard cut, a close-up of the pet, a grumpy look: "You should be." Shot 9 [8.85-10.4s]: hard cut, a close-up of the man: "Let me replace it." Shot 10 [10.4-12.2s]: hard cut, a close-up of the pet, head turned away, proud: "I don't want your money." Shot 11 [12.2-13.85s]: hard cut, the man and the pet walk side by side into a warm, lit boutique. Shot 12 [13.85-14.9s]: in the boutique window the pet shows off a new small white coat. The pet speaks the woman's lines like a talking pet, its own mouth moving in sync with [Video 1]; the man speaks his own lines. No other dialogue. No background music. Exactly one animal and one man in front; people far in the background keep their own faces. Real live-action 1990s film footage, soft grain, no distortion. No text, no captions, no subtitles, no logos, no watermark, no badge in any corner, no readable signs or plates.