The Office Parkour AI Trend: You Shout "Parkour!" in the Office

Recreate the reference video [Video 1] shot for shot: the same office, the same 4 shots with hard cuts at 4.00 s, 6.97 s and 10.43 s, and keep the source video's motion, timing, camera moves, whip pans, framing, lens and lighting exactly. Normal real-time speed. The ONLY change: PERSON A, the man who flips onto the couch and shouts "Parkour!", is now the person in [Image 1]. Everybody else stays exactly as in [Video 1]. PERSON A = the person in [Image 1], in EVERY shot: copy the exact face from [Image 1] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles) exactly as in the photo, and the body type and clothing from [Image 1]. The same real person from the first frame to the last, also upside down, in motion blur and while shouting. Never morph, never drift back to the original man's face. NO short wavy blond hair, no light blue checked shirt and no navy tie unless [Image 1] shows them: with no tie in the photo, the collar stays open, also while running. SHOT 1 (0.00-4.00 s): the waiting area with a grey couch. PERSON A runs in, dives over the couch armrest in a flip, lands UPSIDE DOWN on the couch (head down, legs up), rolls onto the seat and gets up by the armrest; the head stays on the body, the face of PERSON A. 3.20-3.70 s: PERSON A looks straight into the camera with both hands thrown forward and SHOUTS "Parkour!": the jaw drops, the mouth opens wide, eyebrows up, exactly at 3.2 s. The man in the black suit runs in on the right. SHOT 2 (4.00-6.97 s): the curved wooden reception counter. The man in the green sweater is in the foreground seen FROM BEHIND, climbing over the counter with one knee up. PERSON A stands on top of the counter on the LEFT, then jumps off to the left. The man in the black suit stands on a small wooden side table on the RIGHT, filming with a small camcorder. The receptionist sits behind the counter. SHOT 3 (6.97-10.43 s): open-plan office: the man in the black suit leaps from desk to desk over the monitors; a woman at a desk holds a phone; after the whip pan at 9.2 s, a wide view, the man in the black suit on a desk in the middle. SHOT 4 (10.43-14.16 s): the handheld camera follows the man in the black suit through the corridor into the office kitchen: crouches low, runs, pushes off the white fridge; a man stands far away in the doorway. LOCATION AND OBJECTS stay exactly as in [Video 1]: the grey couches, lamps and pictures, the wooden reception counter, the desks with black monitors and phones, the white fridge, the glass walls, wooden doors and ficus trees. Nobody else appears, no extra people. Normal human anatomy, one head per person, five fingers on every hand. No dialogue throughout the entire video. No background music. No added text, no subtitles, no logos, no watermark.

Recreate the reference video [Video 1] shot for shot: the same office, the same 4 shots with hard cuts at 4.00 s, 6.97 s and 10.43 s, and keep the source video's motion, timing, camera moves, whip pans, framing, lens and lighting exactly. Normal real-time speed. The ONLY change: the three jumpers (PERSON A, B and C below) are now the people in [Image 1], [Image 2] and [Image 3]. Everybody else stays exactly as in [Video 1]. PERSON A = the person in [Image 1], PERSON B = the person in [Image 2], PERSON C = the person in [Image 3], in EVERY shot: each copies the exact face from their own image (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles), and the body type and clothing from their own image. 3 different people: never mix their looks, never swap places, never drift back to the faces in [Video 1], also from behind, upside down, in the wide shots and while shouting. PERSON A: NO short wavy blond hair, no light blue checked shirt and no navy tie; PERSON B: NO short black hair, no black suit and no dark red shirt; PERSON C: NO bleached platinum hair, no dark green sweater and no brown trousers; unless their own image shows them. Ties and suit jackets only on whoever wears one in their own photo. SHOT 1 (0.00-4.00 s): the waiting area with a grey couch. PERSON A runs in, dives over the couch armrest in a flip, lands UPSIDE DOWN on the couch (head down, legs up), rolls onto the seat and gets up by the armrest; the head stays on the body, the face of PERSON A. 3.20-3.70 s: PERSON A looks straight into the camera with both hands thrown forward and SHOUTS "Parkour!": the jaw drops, the mouth opens wide, eyebrows up, exactly at 3.2 s. PERSON B runs in on the right. SHOT 2 (4.00-6.97 s): the curved wooden reception counter. PERSON C is in the foreground seen FROM BEHIND, climbing over the counter with one knee up. PERSON A stands on top of the counter on the LEFT, then jumps off to the left. PERSON B stands on a small wooden side table on the RIGHT, filming with a small camcorder. The receptionist sits behind the counter. SHOT 3 (6.97-10.43 s): open-plan office: PERSON B leaps from desk to desk over the monitors; a woman at a desk holds a phone; after the whip pan at 9.2 s, a wide view, PERSON B on a desk in the middle. SHOT 4 (10.43-14.16 s): the handheld camera follows PERSON B through the corridor into the office kitchen: crouches low, runs, pushes off the white fridge; a man stands far away in the doorway. LOCATION AND OBJECTS stay exactly as in [Video 1]: the grey couches, lamps and pictures, the wooden reception counter, the desks with black monitors and phones, the white fridge, the glass walls, wooden doors and ficus trees. Nobody else appears, no extra people. Normal human anatomy, one head per person, five fingers on every hand. No dialogue throughout the entire video. No background music. No added text, no subtitles, no logos, no watermark.

Recreate the reference video [Video 1] shot for shot: the same office, the same 4 shots with hard cuts at 4.00 s, 6.97 s and 10.43 s, and keep the source video's motion, timing, camera moves, whip pans, framing, lens and lighting exactly. Normal real-time speed. The ONLY change: PERSON A, the man who flips onto the couch and shouts "Parkour!", is now the pet in [Image 1]. Everybody else stays exactly as in [Video 1]. PERSON A = the pet in [Image 1], in EVERY shot: the same species and breed, face, eyes, ears, muzzle, fur colors, fur length and markings as in [Image 1], with the natural body volume and proportions of that animal: never flattened, squashed, stretched or merged with anything. A real animal on four legs, with no clothes, no tie and no human hands. Never a person, never the original man's face. SHOT 1 (0.00-4.00 s): office waiting area with a grey fabric couch, a table lamp and a side table with a newspaper. The pet runs in, leaps over the couch armrest, lands on its back on the couch with its paws in the air, rolls over onto the seat and jumps up by the armrest. 3.20-3.70 s: the pet looks straight into the camera with the mouth wide open, as if barking, exactly at 3.2 s. The man in the black suit runs in on the right. SHOT 2 (4.00-6.97 s): the curved wooden reception counter. The man in the green sweater climbs over it in the foreground, seen from behind. The pet stands on top of the counter on the LEFT, then jumps off to the left. The man in the black suit stands on a small side table on the RIGHT, filming with a small camcorder. The receptionist sits behind the counter. SHOT 3 (6.97-10.43 s): open-plan office: the man in the black suit leaps from desk to desk; after the whip pan at 9.2 s, a wide view. SHOT 4 (10.43-14.16 s): the handheld camera follows the man in the black suit into the office kitchen: he crouches, runs and pushes off the white fridge. LOCATION AND OBJECTS stay exactly as in [Video 1]: the grey couches, lamps and pictures, the wooden reception counter, the desks with black monitors and phones, the white fridge, the glass walls, wooden doors and ficus trees. Nobody else appears, no extra people. Normal human anatomy, one head per person, five fingers on every hand. No dialogue throughout the entire video. No background music. No added text, no subtitles, no logos, no watermark.