Written for this model. Generate at 2K: it costs the same 2 credits as 1K.
1. Packaging with exact copy
"A white squeeze tube of face cleanser on a pale grey plinth, the label reading GENTLE FOAM CLEANSER in thin uppercase sans serif with 150ml in small type below it, soft even studio light, a subtle shadow to the right, 9:16."
Why: the exact string in capitals plus a named type style gives it something to copy.
2. A coffee bag with three lines
"A kraft coffee bag with a matte black label reading ETHIOPIA GUJI, beneath it WASHED, and beneath that FILTER ROAST on three stacked lines of clean sans serif, on a light oak counter, soft window light from the left, 4:5."
Why: stacking named lines beats one long string, which smears together.
3. An app screen in a hand
"A phone held upright in one hand showing an app screen: a dark header reading Today, a large white number 4 with the word streaks under it, and three list rows with short labels, crisp edges, blurred cafe behind, 9:16."
Why: a screen described as named elements gives a mockup. "An app screenshot" gives mush.
4. An event poster
"A printed poster on a concrete wall, headline LATE SHIFT in large condensed uppercase, below it FRIDAY 11PM in medium type, and UNIT 7 in small type at the bottom, high contrast black on warm cream paper, 2:3."
Why: three sizes with three exact strings give hierarchy, not decorative scribble.
5. A retail price tag
"A supermarket shelf price tag on a white rail under a row of cereal boxes, the tag reading 2 FOR 5 in bold with SAVE 1.40 in a red strip below it, a small barcode block at the bottom, flat store light, 16:9."
Why: retail signage is a few short numbers, the case text rendering handles best.
6. A chalkboard menu
"A cafe chalkboard on an easel, handwritten chalk lettering reading FLAT WHITE 3.80, CORTADO 3.20 and COLD BREW 4.00 on three lines, a small drawn arrow beside the last item, warm morning light from a window on the left, 4:5."
Why: item and price on one named line keeps the two from drifting apart.
7. A book cover
"A hardback book upright on a linen surface, the jacket showing THE QUIET HOUR in large serif across the upper third and a small line reading M. RAHIM at the bottom, deep navy cover, soft raking light from the right, 3:4."
Why: naming where each block sits stops everything stacking in the center.
8. A sticker sheet
"A sheet of die-cut vinyl stickers on a white desk, one large circular sticker reading MADE SLOWLY around its edge, two small rectangular ones reading BATCH 04, backing paper visible, soft overhead light, a slight sheen, 1:1."
Why: one curved element, the rest straight, is the safe ratio for text on shapes.
