A realistic vertical phone selfie of the person in [Image 1], seated in a nearly empty subway carriage, wearing wired earbuds. They sing passionately to a soulful chorus, close their eyes, lift their chin, raise one hand, and move their lips naturally. Preserve their face and hairstyle, keep the train background consistent, subtle handheld camera movement, emotional expression, cinematic realism, 9:16.
The singer is the person in [Image 1], in every frame: copy the exact face from [Image 1] (the face shape, eye color and eye shape, eyebrows, nose, mouth, skin tone, age, hair color, hair length and hairstyle, and any beard, moustache, glasses or freckles), and the clothes from [Image 1], so their friends recognize them at once. The face stays the same from the first frame to the last, also with the eyes closed, the chin up and the mouth wide open on the long notes. Never morph. If [Image 1] shows an animal, the singer is that animal sitting upright on the seat, with its own face, fur and markings, not a person.
The place: the inside of a clean, nearly empty city subway car at night under bright white ceiling lights: long blue bench seats along both walls, steel grab poles and handrails, sliding doors, a framed route map on the wall with no readable words, the car stretching away behind, dark windows with lights flicking past. The train sways softly.
The camera: their own front phone camera in one outstretched hand, a little above eye level, a medium close-up from the chest up, one continuous take with no cuts; the face stays big and sharp. Thin white wired earphones in both ears, the white cable hanging down over the chest.
0-2 s: eyes on the lens, a small smile; they hold the other hand to the ear like a phone, thumb and little finger out: call me.
2-4 s: they close their eyes, tip the head back and start to sing out loud with feeling.
4-7 s: the other hand rises high above the head, fingers spread, the chin lifted, the mouth wide open on a long held note; they sway with the train.
7-10 s: they open their eyes, look straight into the lens and sing the chorus right at the camera, the other hand reaching out with an open palm, then a big happy smile.
Audio: only their own voice, a big, soulful chorus with long held notes, a little off-key, over the low rumble and clatter of the train. No instruments: the music plays only in their earphones.
Exactly one person in the car, no other passengers. One head only, two arms, five fingers on each hand. No phone visible in the frame. No text, no subtitles, no logos, no line names or route numbers, no watermark.
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